Gordana Blagojević, Η μουσική μεταρρύθμιση του 1814: μια εμπειρική-αφηγηματολογική προσέγγιση [The musical reform of 1814: an empirical-narratological approach]

Сажетак

Gordana Blagojević, Η μουσική μεταρρύθμιση του 1814: μια εμπειρική-αφηγηματολογική προσέγγιση [The musical reform of 1814: an empirical-narratological approach]


Τμήμα Μουσικών Σπουδών της Φιλοσοφικής Σχολής του Εθνικού και Καποδιστριακού Πανεπιστημίου Αθηνών, «Εργαστήριο Βυζαντινής Μουσικολογίας», Αθήνα 2019 [Department of Music Studies of the Faculty of Philosophy of the National and Kapodistrian University of Athens, “Laboratory of Byzantine Musicology”, Athens 2019]. ISBN 978-618-83987-1-9


It is admittedly not an easy task for someone to evaluate properly and convincingly the work of an eminent colleague who is also well- and long-known to him. The reviewer may then be misguided (un- or subconsciously) by his feelings or sentiments, and so miss his target: an unbiased and well-balanced judgement. What is more, Gordana Blagojević, author of the work under review, has long been a spottable and distinguishable figure in the Greek academia and the reading public through her numerous participations in conferences organised in Greece and her equally innumerable admittances in Greek libraries and research centres. Yet, I will try, as the legendary Ulysses did, to shut my ears before the melodious sirens of intimacy and collegiality. But, I am afraid I will not be able, despite Roland Barthes’ insisting calls, to “kill” the author1 in order to study unbiased her work per se: an impossible task!

Reference

Anton, John Peter, ed. 1993. Upward Panic: The Autobiography of Eva Palmer-Sikelianos. Choreography and Dance Studies 4, Harwood Academic Publishers.
Brashier, Rachel Nicole. 2012. “Voice of Women in Byzantine Music Within the Greek Orthodox Churches in America.ˮ Master Thesis. Southern Illinois University Carbondale.
Morgan, Prys. 1983. “From a Death to a View: The Hunt for the Welsh Past in the Romantic Period”. In The Invention of Tradition, eds. E. J. Hobsbawm & T. O. Ranger, 43–100. Cambridge: Cambridge University Press.
Plemmenos, John 2010. Ottoman Minority Musics: The Case of 18th-Century Greek-Phanariots. Berlin: Lambert Academic Publishing.
Romanou, Katy G. 1990. “A New Approach to the Work of Chrysanthos of Madytos: The New Method of Musical Notation in Greek Church and the Μέγα Θεωρητικόν της Μουσικής.” Studies in Eastern Chant 5: 89–100.
Romanou, Katy G. 2010. Great Theory of Music by Chrysanthos of Madytos translated by Katy Romanou. New Rochelle – New York: Axion Estin Foundation.
Valiavitcharska, Vessela. 2013. Rhetoric and Rhythm in Byzantium: The Sound of Persuasion. Cambridge University Press.
Објављено
20.01.2021.
Како цитирати
PLEMMENOS, John. Gordana Blagojević, Η μουσική μεταρρύθμιση του 1814: μια εμπειρική-αφηγηματολογική προσέγγιση [The musical reform of 1814: an empirical-narratological approach]. Гласник Етнографског института САНУ, [S.l.], v. 68, n. 3, p. 779–783, jan. 2021. ISSN 2334-8259. Доступно на:
<https://www.ei.sanu.ac.rs/index.php/gei/article/view/939>.
Датум приступа: 06 may 2021