Вишечулни музеји
DOI: 10.2298/GEI1201065M UDK: 069.53; 159.931/.937 ID: 190802188
Сажетак
Традиционално, музеји су били визуелни простори у којима није било пуно места за примање утисака чулом додира. Међутим, интерактивни и мултисензорни музеји се све више употребљавају у циљу привлачења нове публике у музеје. У овом раду се разматрају начини на који је један од традиционалних музеја – Уметничка галерија Келвингрове у Гласгову покушала да реконституише „сензорни режим“ своје поставке. У раду се даље расправља о томе да ли овај одговор на проблеме доминација чула вида и инкорпорација нове „мултисензорске логике“ у музејску праксу доводи до одређене врсте „чулне дезорјентације“ у организацији и перцепцији музејских поставки.
Кључне речи : музеј, Глазгов, вишечулни, додир, дисплеј, дезоријентација
Reference
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and Politics of Museum Display. I. Karp and S.D.Lavine. Washington,
Smithsonian Institution Press, 25–32.
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Greenblatt, S. 1991. Resonance and Wonder. Exhibiting Cultures. The Poetics and
Politics of Museum Display. I. Karp and S.D.Lavine. Washington, Smithsonian
Institution Press, 42–56.
Henning, M. 2006. Museums, Media and Cultural Theory, Maidenhead: Open University
Press.
Hooper-Greenhill, E. 1992. Museums and the Shaping of Knowledge. London,
Routledge.
Howes, D. Ed. 1991. The Varieties of Sensory Experience. A Sourcebook in the
Anthropology of the Senses. Toronto, University of Toronto Press
2005. Sensation in Cultural Context. .Empire of the Senses. The Sensual
Culture Reader. D.Howes. Oxford and New York, Berg, 143–146
Karp, I., C. A. Kratz, L. Szwaja and T. Ybarra-Frausto. Eds. 2006. Museum Frictions.
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University Press
Knell, S., S.MacLeod and S.Watson. Eds. 2007. Museum Revolutions: How Museums
Change and are Changed, Abingdon (Oxon) and New York: Routledge.
Lane, J and A.Wallace. 2007. Hands On. Learning from Objects and Paintings. A
Teacher’s Guide. Early Years/Primary. Edinburgh, Scottish Museums
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Levin, D, Ed. 1993. Modernity and the Hegemony of Vision. Berkeley, Los Angeles,
and London, University of California Press.
Losche, D. 2006. The Fate of Senses in Ethnographic Modernity: The Margaret
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Sensible Objects. Colonialism, Museums and Material Culture. E Edwards,
C Gosden and R.B.Philips. Oxford and New York, Berg, 199–244.
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Marstine, J. Ed. 2006. New Museum Theory and Practice. An Introduction. Malden
(MA), Oxford and Carlton, Blackwell.
Morgan, J. 2004. Zones of Negotiation: The Auckland Museum’s Relationships
with Pacific Islands Communities. Master of Arts Thesis, The University
of Auckland.
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Curator. 50(4), 379–399.
Preziosi, D. and C.Farago, Eds. (2004). Grasping the World. The Idea of the Museum.
Aldershot, Algate.
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http://www.museumsassociation.org (accessed May 2008)
Roberts, L. 2005. The Death of the Sensuous Chemist: The ‘New’ Chemistry and
the Transformation of Sensuous Technology. Empire of the Senses. The
Sensual Culture Reader. D.Howes. Oxford and New York, Berg, 106–127.
Rutherford, M, R. Sutcliffe, and J.Robinson. 2007. Pick ‘n’ Mix-Multidisciplinary
Displays in the New Kelvingrove Art Gallery and Museum. Poster for Nature
Behind Glass: Historical and Theoretical Perspectives on Natural
Science Collections September 2007, University of Manchester.
Sherman, D. J. and I. Rogoff. 1994. Introduction: Frameworks for Critical Analysis.
Museum Culture. Histories. Discourses. Spectacles. D.J.Sherman and
I.Rogoff. Minneapolis and London, University of Minnesota Press and
Routledge, ix-xx.
Stoller, P. 1989. The Taste of Ethnographic Things. The Senses in Anthropology.
Philadelphia, University of Pennsylvania Press.
and Politics of Museum Display. I. Karp and S.D.Lavine. Washington,
Smithsonian Institution Press, 25–32.
Bann, S. 2003. The Return to Curiosity: Shifting Paradigms in Contemporary Museum
Display. Art and its Publics. Museum Studies at the Millennium.
A.McClellan. Malden, Oxford, and Melbourne, Blackwell, 117–130.
Bennett, T. 1995. The Birth of the Museum: History, Theory, Politics. London and
New York, Routledge.
Carbonell, B. M. 2004. Introduction: Museum Studies and the “Eccentric Space” of
an Anthology. Museums Studies: An Anthology of Contexts.
B.M.Carbonell. Malden (MA), Oxford and Carlton (Victoria), Blackwell,
1-13.
Classen, C. 1998. The Color of Angels. Cosmology, Gender and the Aesthetic Imagination.
London and New York, Routledge.
(2005). Touch in the Museum. The Book of Touch. C.Classen. Oxford and
New York, Berg, 275–286.
Classen, C and D. Howes 2006. The Museum as Sensescape: Western Sensibilities
and Indigenous Artifacts. Sensible Objects. Colonialism, Museums and
Material Culture. Edwards, E, C Gosden and R.B Philip. Oxford and New
York, Berg, 199–222.
Davies, M. 2008. Opinion. Museum Practice. 41, 11.
Drobnick, J. 2005. Volatile Effects: Olfactory Dimensions of Art and Architecture.
Empire of the Senses. The Sensual Culture Reader. D.Howes. Oxford and
New York, Berg, 265–280.
Duncan, C. 1995. Civilizing Rituals. Inside Public Art Museum. London, Routledge.
Edwards, E, C. Gosden and R.B Phillips. Eds. (2006). Sensible Objects. Colonialism,
Museums and Material Culture. Oxford and New York, Berg
Evans, R.J.W and A.Marr, Eds. 2006. Curiosity and Wonder from the Renaissance
to the Enlightenment. Aldershot, Ashgate.
Fitzgerald, L. 2005. Building on Victorian Ideals. Reshaping Museum Space. Architecture,
Design, Exhibitions. S.MacLeod. London and New York, Routledge,
133–145.
Fletcher, C. 2005. Dystoposthesia: Emplacing Environmental Sensitivities. Empire
of the Senses. The Sensual Culture Reader. D.Howes. Oxford and New
York, Berg, 380-396.
Greenblatt, S. 1991. Resonance and Wonder. Exhibiting Cultures. The Poetics and
Politics of Museum Display. I. Karp and S.D.Lavine. Washington, Smithsonian
Institution Press, 42–56.
Henning, M. 2006. Museums, Media and Cultural Theory, Maidenhead: Open University
Press.
Hooper-Greenhill, E. 1992. Museums and the Shaping of Knowledge. London,
Routledge.
Howes, D. Ed. 1991. The Varieties of Sensory Experience. A Sourcebook in the
Anthropology of the Senses. Toronto, University of Toronto Press
2005. Sensation in Cultural Context. .Empire of the Senses. The Sensual
Culture Reader. D.Howes. Oxford and New York, Berg, 143–146
Karp, I., C. A. Kratz, L. Szwaja and T. Ybarra-Frausto. Eds. 2006. Museum Frictions.
Public Cultures/Global Transformations. Durham and London, Duke
University Press
Knell, S., S.MacLeod and S.Watson. Eds. 2007. Museum Revolutions: How Museums
Change and are Changed, Abingdon (Oxon) and New York: Routledge.
Lane, J and A.Wallace. 2007. Hands On. Learning from Objects and Paintings. A
Teacher’s Guide. Early Years/Primary. Edinburgh, Scottish Museums
Council.
Levin, D, Ed. 1993. Modernity and the Hegemony of Vision. Berkeley, Los Angeles,
and London, University of California Press.
Losche, D. 2006. The Fate of Senses in Ethnographic Modernity: The Margaret
Mead Hall of Pacific Peoples at the American Museum of Natural History.
Sensible Objects. Colonialism, Museums and Material Culture. E Edwards,
C Gosden and R.B.Philips. Oxford and New York, Berg, 199–244.
Lurie, N. 1981. Museumland Revisited. Human Organisation. 40, 180–187.
Marstine, J. Ed. 2006. New Museum Theory and Practice. An Introduction. Malden
(MA), Oxford and Carlton, Blackwell.
Morgan, J. 2004. Zones of Negotiation: The Auckland Museum’s Relationships
with Pacific Islands Communities. Master of Arts Thesis, The University
of Auckland.
O’Neill, M. 2007. Kelvingrove: Telling Stories in a Treasured Old/New Museum.
Curator. 50(4), 379–399.
Preziosi, D. and C.Farago, Eds. (2004). Grasping the World. The Idea of the Museum.
Aldershot, Algate.
Rees Leahy, H. 2006. Glasgow Remix. Museum Practice. 35, 12–17 available at
http://www.museumsassociation.org (accessed May 2008)
Roberts, L. 2005. The Death of the Sensuous Chemist: The ‘New’ Chemistry and
the Transformation of Sensuous Technology. Empire of the Senses. The
Sensual Culture Reader. D.Howes. Oxford and New York, Berg, 106–127.
Rutherford, M, R. Sutcliffe, and J.Robinson. 2007. Pick ‘n’ Mix-Multidisciplinary
Displays in the New Kelvingrove Art Gallery and Museum. Poster for Nature
Behind Glass: Historical and Theoretical Perspectives on Natural
Science Collections September 2007, University of Manchester.
Sherman, D. J. and I. Rogoff. 1994. Introduction: Frameworks for Critical Analysis.
Museum Culture. Histories. Discourses. Spectacles. D.J.Sherman and
I.Rogoff. Minneapolis and London, University of Minnesota Press and
Routledge, ix-xx.
Stoller, P. 1989. The Taste of Ethnographic Things. The Senses in Anthropology.
Philadelphia, University of Pennsylvania Press.
Објављено
20.07.2022.
Како цитирати
(UNITED KINGDOM), Jennie Morgan.
Вишечулни музеји.
Гласник Етнографског института САНУ, [S.l.], v. 60, n. 1, p. 65-77, july 2022.
ISSN 2334-8259.
Доступно на:
<https://www.ei.sanu.ac.rs/index.php/gei/article/view/421>.
Датум приступа: 26 apr. 2024
<https://www.ei.sanu.ac.rs/index.php/gei/article/view/421>.
Датум приступа: 26 apr. 2024
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