Свет који нестаје: Ернесто де Мартино и Драгослав Антонијевић о последњем ритуалном трансу у Европи
DOI: https://doi.org/10.2298/GEI2501013N UDC: 39(4) Оригинални научни рад
Сажетак
Овај рад биће покушај параленог читања теорија и текстова о ритуалном трансу српског етнолога Драгослава Антонијевића и италијанског историчара религије Ернеста де Мартина. Рад ће понудити тумачење и разумевање Антонијевићевог писања о русаљском ритуалу и Де Мартиновог писања о тарантизму као одјеке времена у којем су живели, истраживали и писали. Ово време одликовала је брза урбанизација и модернизација која је доносила вртоглаве промене и оба ова научника била су свесна да један свет, свет који су истраживали, брзо нестаје. Иако су имали различите приступе у разумевању овог света њихово промишљање ових феномена одликује дубоки осећај да се налазе на „покретном песку”. Са друге стране, средина двадесетог века отворила је у антропологији кључна питања деколонизације, односа моћи и саме природе етнографског рада. Де Мартино је отворено истраживао ова питања, али она се могу наћи и у Антонијевићевом писању. Ова питања не губе на свом значају и ургентности ни дан данас. Најзад, рад ће указати на потенцијални значај писања ова два истраживача и са становишта оживљавања „медитеранске антропологије“.
Кључне речи: ритуал, транс, Драгослав Антонијевић, Ернесто де Мартино
Reference
Antonijević, Dragoslav. 1990. Ritualni trans. Beograd: Srpska akademija nauka i umetnosti, Balkanološki institut.
Daboo, Jerri. 2010. Ritual, Rapture and Remorse: A Study of Tarantism and Pizzica in Salento. Bern: Peter Lang.
De Martino, Ernesto. (1949). 2017. ”Towards a History of the Subaltern Popular World.” Chicago Review 60: 63–67.
De Martino, Ernesto. 2005. The Land of Remorse. A Study of Southern Italian Tarantism. Translated by Dorothy Louise Zinn. London: Free Association Books.
Del Giudice, Lucia. 2005. ”The Folk Music Revival and the Culture of Tarantismo in the Salento.” In Performing Ecstasies. Music, Dance, and Ritual in the Mediterranean, edited by Luisa Del Giudice and Nancy van Deusen, 217–273. Ottawa, Canada: The Institute of Medieval Music.
Davies, John. 1977. People of the Mediterranean: An Essay in Comparative Social Anthropology. London: Routledge.
Đorđević, Tihomir. 1906. Kroz naše Rumune. Putopisne beleške. Beograd: Štamparija Svetozara Nikolića.
Forlenza, Rosario. 2018. ”Magic, Religion and the South: notes on Ernesto De Martino.” Journal of Religious and Political Practice 4:137–155.
Gloyne, Howard F. 1950. ”Tarantism: Mass Hysterical Reaction to Spider Bite in the Middle Ages.” American Imago 7(1): 29–42.
Gotman, Kélina. 2018. Choreomania. Dance and Disease. Oxford and New York: Oxford University Press.
Guilhot, Nicholas. 2024. ”The man who lived at the end of history. Why the 20thcentury intellectual Ernesto De Martino believed that we should prepare for the apocalypse.” The New Statesman, February 15. Pristupljeno 25. januara 2025. https://www.newstatesman.com/ideas/2024/02/ernesto-de-martino-history-apocalypse
Herzfeld, Michael. 1987. Anthropology through the Looking-Glass: Critical Ethnography on the Margins of Europe. Cambridge and New York: Cambridge University Press.
Karanika, Andromache. 2005. ”Ecstasies in Healing: Practices in Southern Italy and Greece from Antiquity to the present.” In Performing Ecstasies. Music, Dance, and Ritual in the Mediterranean, edited by Luisa Del Giudice and Nancy van Deusen, 25–37. Ottawa, Canada: The Institute of Medieval Music.
Levi, Carlo. 1964. Chist Stopped at Eboli. Translated by Frances Frenaye. New York: Time Inc. Book Division.
Lewis, I.M. 1989. Ecstatic Religion: A Study of Shamanism and Spirit Possession, 2nd ed. London and New York: Routledge.
Lütke, Karen. 2008. Dances with Spiders. Crisis, Celebrity and Celebration in Southern Italy. New York and Oxford: Berghahn.
Markova, Mira. 2021. ”Nestinarstvo (Anastenaria) Rite in Bulgaria and Greece: A Vivid Example of Cultural Ethnological Transformation at the Beginning of the 21st century.” In Greeks and Bulgarians. Parallels and Intersections in History and Culture, edited by Yura Konstantinova and Eleonora Naxidou, 303–323. Sofia: Institute of Balkan Studies and Centre of Thracology - Bulgarian Academy of Sciences.
Miller Renberg, Lynneth. 2017. ”Divine Punishment or Disease? Medieval and Early Modern Approaches to the 1518 Strasbourg Dancing Plague.” Dance Research 35(2): 149–164.
Milićević, Milan.Đ. 1876. Kneževina Srbija. Beograd: Državna štamparija.
Raheli, Roberto. 2005. ”Pizzica Tarantata: Reflections of a Violin Player.” In Performing Ecstasies. Music, Dance, and Ritual in the Mediterranean, edited by Luisa Del Giudice and Nancy van Deusen, 125–133. Ottawa, Canada: The Institute of Medieval Music.
Rohmann, Gregor. 2009. ”The Invention of Dancing Mania: Frankish Christianity, Platonic Cosmology and Bodily Expressions in Sacred Space.” The Medieval History Journal 12(1): 13–45.
Ruže, Žilber. 1994. Muzika i trans. Nacrt jedne opšte teorije odnosa muzike i opsednutosti. Sremski Karlovci, Novi Sad: Izdavačka knjižarnica Zorana Stojanovića.
Sinani, Danijel. 2006. ”Fenomen opsednutosti u istočnoj Srbiji kao osnova za produkciju ritualnih funkcionera.” Glasnik Etnografskog muzeja 70: 215–235.
Sinani, Danijel. 2008. ”Rusaljski ritual – pogled iz drugog ugla.” Antropologija 5: 117–139.
Sinani, Danijel. 2009. Rusalje. Beograd: Srpski genealoški centar i odeljenje za etnologiju i antropologuju Filozofskog fakulteta.
Staro, Placida. 2005. ”Reconstructing the sense of presence: Tarantula, Arlìa, and Dance.” In Performing Ecstasies. Music, Dance, and Ritual in the Mediterranean, edited by Luisa Del Giudice and Nancy van Deusen, 55–70. Ottawa, Canada: The Institute of Medieval Music.
Ustinova, Yulia. 2021. ”Hirpi Sorani and Modern Fire-Walkers: Rejoicing through Pain in Extreme Rituals”. In Sensorivm: Senses in Roman Polytheism, edited by Antón Alvar Nuno, Jamie Alvar Ezquerra and Greg Wolf, 71–89. Leiden: Brill.
Walter, Damian. 2001. ”The Medium of the Message: Shamanism as Localised Practice in the Nepal Himalaya.” In The Archaeology of Shamanism edited by Neil Price, 105–119. London and New York: Routledge.
Xygalatas, Dimitris. 2011. ”Ethnography, Historiography and the Making of History in the Tradition of the Anastenaria.” History and Anthropology 22(1): 57–74.
Daboo, Jerri. 2010. Ritual, Rapture and Remorse: A Study of Tarantism and Pizzica in Salento. Bern: Peter Lang.
De Martino, Ernesto. (1949). 2017. ”Towards a History of the Subaltern Popular World.” Chicago Review 60: 63–67.
De Martino, Ernesto. 2005. The Land of Remorse. A Study of Southern Italian Tarantism. Translated by Dorothy Louise Zinn. London: Free Association Books.
Del Giudice, Lucia. 2005. ”The Folk Music Revival and the Culture of Tarantismo in the Salento.” In Performing Ecstasies. Music, Dance, and Ritual in the Mediterranean, edited by Luisa Del Giudice and Nancy van Deusen, 217–273. Ottawa, Canada: The Institute of Medieval Music.
Davies, John. 1977. People of the Mediterranean: An Essay in Comparative Social Anthropology. London: Routledge.
Đorđević, Tihomir. 1906. Kroz naše Rumune. Putopisne beleške. Beograd: Štamparija Svetozara Nikolića.
Forlenza, Rosario. 2018. ”Magic, Religion and the South: notes on Ernesto De Martino.” Journal of Religious and Political Practice 4:137–155.
Gloyne, Howard F. 1950. ”Tarantism: Mass Hysterical Reaction to Spider Bite in the Middle Ages.” American Imago 7(1): 29–42.
Gotman, Kélina. 2018. Choreomania. Dance and Disease. Oxford and New York: Oxford University Press.
Guilhot, Nicholas. 2024. ”The man who lived at the end of history. Why the 20thcentury intellectual Ernesto De Martino believed that we should prepare for the apocalypse.” The New Statesman, February 15. Pristupljeno 25. januara 2025. https://www.newstatesman.com/ideas/2024/02/ernesto-de-martino-history-apocalypse
Herzfeld, Michael. 1987. Anthropology through the Looking-Glass: Critical Ethnography on the Margins of Europe. Cambridge and New York: Cambridge University Press.
Karanika, Andromache. 2005. ”Ecstasies in Healing: Practices in Southern Italy and Greece from Antiquity to the present.” In Performing Ecstasies. Music, Dance, and Ritual in the Mediterranean, edited by Luisa Del Giudice and Nancy van Deusen, 25–37. Ottawa, Canada: The Institute of Medieval Music.
Levi, Carlo. 1964. Chist Stopped at Eboli. Translated by Frances Frenaye. New York: Time Inc. Book Division.
Lewis, I.M. 1989. Ecstatic Religion: A Study of Shamanism and Spirit Possession, 2nd ed. London and New York: Routledge.
Lütke, Karen. 2008. Dances with Spiders. Crisis, Celebrity and Celebration in Southern Italy. New York and Oxford: Berghahn.
Markova, Mira. 2021. ”Nestinarstvo (Anastenaria) Rite in Bulgaria and Greece: A Vivid Example of Cultural Ethnological Transformation at the Beginning of the 21st century.” In Greeks and Bulgarians. Parallels and Intersections in History and Culture, edited by Yura Konstantinova and Eleonora Naxidou, 303–323. Sofia: Institute of Balkan Studies and Centre of Thracology - Bulgarian Academy of Sciences.
Miller Renberg, Lynneth. 2017. ”Divine Punishment or Disease? Medieval and Early Modern Approaches to the 1518 Strasbourg Dancing Plague.” Dance Research 35(2): 149–164.
Milićević, Milan.Đ. 1876. Kneževina Srbija. Beograd: Državna štamparija.
Raheli, Roberto. 2005. ”Pizzica Tarantata: Reflections of a Violin Player.” In Performing Ecstasies. Music, Dance, and Ritual in the Mediterranean, edited by Luisa Del Giudice and Nancy van Deusen, 125–133. Ottawa, Canada: The Institute of Medieval Music.
Rohmann, Gregor. 2009. ”The Invention of Dancing Mania: Frankish Christianity, Platonic Cosmology and Bodily Expressions in Sacred Space.” The Medieval History Journal 12(1): 13–45.
Ruže, Žilber. 1994. Muzika i trans. Nacrt jedne opšte teorije odnosa muzike i opsednutosti. Sremski Karlovci, Novi Sad: Izdavačka knjižarnica Zorana Stojanovića.
Sinani, Danijel. 2006. ”Fenomen opsednutosti u istočnoj Srbiji kao osnova za produkciju ritualnih funkcionera.” Glasnik Etnografskog muzeja 70: 215–235.
Sinani, Danijel. 2008. ”Rusaljski ritual – pogled iz drugog ugla.” Antropologija 5: 117–139.
Sinani, Danijel. 2009. Rusalje. Beograd: Srpski genealoški centar i odeljenje za etnologiju i antropologuju Filozofskog fakulteta.
Staro, Placida. 2005. ”Reconstructing the sense of presence: Tarantula, Arlìa, and Dance.” In Performing Ecstasies. Music, Dance, and Ritual in the Mediterranean, edited by Luisa Del Giudice and Nancy van Deusen, 55–70. Ottawa, Canada: The Institute of Medieval Music.
Ustinova, Yulia. 2021. ”Hirpi Sorani and Modern Fire-Walkers: Rejoicing through Pain in Extreme Rituals”. In Sensorivm: Senses in Roman Polytheism, edited by Antón Alvar Nuno, Jamie Alvar Ezquerra and Greg Wolf, 71–89. Leiden: Brill.
Walter, Damian. 2001. ”The Medium of the Message: Shamanism as Localised Practice in the Nepal Himalaya.” In The Archaeology of Shamanism edited by Neil Price, 105–119. London and New York: Routledge.
Xygalatas, Dimitris. 2011. ”Ethnography, Historiography and the Making of History in the Tradition of the Anastenaria.” History and Anthropology 22(1): 57–74.
Објављено
03.06.2025.
Како цитирати
NJARADI, Dunja.
Свет који нестаје: Ернесто де Мартино и Драгослав Антонијевић о последњем ритуалном трансу у Европи.
Гласник Етнографског института САНУ, [S.l.], v. 73, n. 1, p. 13–34, june 2025.
ISSN 2334-8259.
Доступно на:
<https://www.ei.sanu.ac.rs/index.php/gei/article/view/1161>.
Датум приступа: 04 june 2025
<https://www.ei.sanu.ac.rs/index.php/gei/article/view/1161>.
Датум приступа: 04 june 2025
Секција
Varia
