Промишљање заједништва посредством плеса: историјско-теоријски пресек
ДОИ: https://doi.org/10.2298/GEI2202199N УДК 394.3 Оригинални научни рад
Сажетак
Рад се бави идејом партиципаторности односно заједништва у плесу. Идеја заједништва постала је кључном у савременим дискусијама о глобализацији савремених друштава, а плес има велики удео у промишљањима ових глобалних процеса. Плес такође има и сопствену веома дугу традицију промишљања заједништва. Указујући на ову дугу и богату традицију, овај рад ће представити начине на који се заједништво промишља у друштвеним и уметничким плесовима, укључујући и конкретене плесне форме и теоријске концепте, идеје и праксе. Од плесних форми, рад ће дискутовати о тангу, као паровном плесу, плесноокупљачкој форми – флеш моб, као и о контакт импровизацији развијеној у оквиру постмодерног плеса. Од теоријских и филозофских поставки које утемељују дискусије о заједништву у студијама плеса, рад ће дискутовати концепт кинестезије односно „кинестетичке емпатије”, „огледала неурона” у неуронауци као и филозофска промишљања афекта.
Kључне речи: заједништво, кинестезија, танго, флеш моб, контакт импровизација
Reference
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Becker, Judith. 2004. Deep Listeners: Music, Emotion and Trancing. Bloomington: Indiana University Press.
Berrol, Cynthia. 2006. “Mirror neurons, the therapeutic process and empathy.” The Arts in Psychotherapy 33 (4): 302–315.
Bläsing, Puttke & Schack, eds. 2010. The Neurocognition of Dance. Mind, Movement and Motor Skills. New York and Hove: Psychology Press.
Brandstetter, Gabriele, Gerko Egert & Sabine Zubarik. 2013. “Introduction”. In Touching and Being Touched. Kinesthesia and Empathy in Dance and Movement, eds. Gabriele Brandstetter, Gerko Egert & Sabine Zubarik, 3–13. Berlin – Boston: de Gruyter.
Buckland, Fiona. 2002. Impossible Dance. Club Dance and Queer World-Making. Middletown CT: Wesleyan University Press.
Campbell, John & Alan Rew. 1999. Identity and Affect: Experiences of Identity in a Globalizing World. London: Pluto Press.
Cvejić, Bojana. 2015. Choreographing Empathy. Expressive Concepts in Contemporary Dance and Performance. Basingstoke: Palgrave Macmillan.
D’Andrea, Anthony. 2007. Global Nomads: Techno and New Age as Transnational Countercultures in Ibiza and Goa. London: Routledge.
Deniston, Kristin. 2007. Tango i njegov smisao. Beograd: Prosveta.
Foster, Susan. 2002. Dances that Describe Themselves: The Improvised Choreography of Richard Bull. Middletown CT: Wesleyan University Press.
Foster, Susan. 2010. Choreographing Empathy: Kinesthesia in Performance. London and New York: Routledge.
Gard, Michael. 2006. Men Who Dance, Aesthetic, Athletic and Art of Masculinity. New York: Peter Lang Publishing.
Goodridge, Janet. 1999. Rhythm and Timing of Movement in Performance: Drama, Dance and Ceremony. London: Jessica Kingsley Publishers.
Gore, Georgiana. 2010. “Flash mob dance and the territorialisation of urban movement.” Anthropological Notebooks 16 (3): 125–131.
Hamera, Јudith. 2007. Dancing Communities: Performance, Difference and Connection in the Global City. Basingstoke: Palgrave Macmillan.
Kalogeropolou, Sofia. 2007. “‘Zorba the Flashmobian’: National Communities go Viral.” Dance Research Aoteraoa 4: 153–169.
Kapchan, Deborah. 2008. “The promise of sonic translation: Performing the festive sacred in Morocco.” American Anthropologist 10 (4): 467–483.
Kauliggfreks, Ruud & Samantha Warren. 2010. “Swarm: Flash mobs, mobile clubbing and the city.” Culture and Organisation 16 (3): 211–227.
Kunst, Bojana. 2010. “The Economy of Proximity.” Performance Research 14 (3): 81–88.
Martin, John. 1965. Introduction to the Dance. New York: Dance Horizons.
Martin, Randy. 1998. Critical Moves: Dance Studies in Theory and Politics. Durham NC: Duke University Press.
Martin, Randy. 2004. “Dance and its others: Theory, state, socialism”. In Of the Presence of the Body: Essays on Dance and Performance Theory, ed. Andrew Lepecki, 47–64. Hanover NH: Wesleyan University Press.
Massumi, Brian. 2002. Parables for the Virtual: Movement, Affect, Sensation. Durham, NC and London: Duke University Press.
McGarry, Lucy & Frank Russo. 2011. “Mirroring in dance/movement therapy: Potential mechanisms behind empathy enhancement.” The Arts in Psycho therapy 38 (3): 178–184.
McNeill, William, 1995. Keeping Together in Time. Dance and Drill in Human History. Harvard, Mass.: Harvard University Press.
Molnár, Viràg. 2014. “Reframing public space through digital mobilization: Flash mobs and contemporary urban youth culture.” Space and Culture 17 (1): 43–58.
Muse, John H. 2010. “Flash mobs and the diffusion of the audience.” Theater 40 (3): 9–23.
Nicholson, Judith. 2005. “Flash! Mobs in the age of mobile connectivity.” Fibreculture Journal 6: 1–15.
Novack, Cynthia. 1990. Sharing the Dance: Contact Improvisation and American Culture. Madison: University of Wisconsin Press.
Nahachewsky, Andriy. 2011. Ukrainian Dances: A CrossCultural Approach. Jefferson, North Carolina: McFarland.
Njaradi, Dunja. 2018a. Knjiga o plesu. Tradicije, Teorije, Metodi. Beograd: Ansambl narodnih igara i pesama „Kolo“.
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Pallant, Cheryl. 2007. Contact Improvisation. An Introduction to a Vitalizing Dance Form. Jefferson NC: McFarland & Company.
Parviainen, Hanna & Arto Pirhonen. 2013. Social movements within interfaces in urban environments: Flash mobs as kinaesthetic marketing and political campaigns. Tempere, Finland: IugYmedia.
Pouillaude, Frédéric. 2017. Unworking choreography. The Notion of the Work in Dance. Oxford: Oxford University Press.
Rakočević, Selena. 2013. “Tracing the discipline: eighty years of ethnochoreology in Serbia.” New Sound 41 (1): 58–86.
Reynolds, Dee. 2007. Rhythmic Subjects: Uses of Energy in the Dances of Mary Wigman, Martha Graham, and Merce Cunningham. Alton Hants: Dance Books.
Ross, Janice. 2004. “Anna Halprin’s Urban Rituals.” TDR: The Drama Review 48 (2): 49–67.
Saldanha, Arun. 2004. “Goa trance and trance in Goa: Smooth striations”. In Rave culture and Religion, ed. Graham St. John, 256–272. London: Routledge.
Santos Newhall, Anne. 2009. Mary Wigman. London: Routledge.
Scolieri, Paolo. 2008. “Global/mobile: ReOrienting dance and migration theory.” Dance Research Journal 40 (2): V–XX.
Shresthova, Sangita. 2013. “Bollywood dance as political participation? On flash mobs, new media, and political potential.” The International Journal of Research into New Media Technologies 3: 311–317.
Sieben, Irene. 2007. “Expedition to the inner teacher. How the pioneers of movement studies inspire dance”. In Knowledge in Motion: Perspectives of Artis tic and Scientific Research in Dance, eds. Sabine Gehm, Pirrko Husemann & Katharina von Wilcke, 137–146. Bielefeld: Transcript Verlag.
Sierra, Horacio. 2017. ‘To Be a Public Spectacle to All’: Flash Mobs and the Potential for Revolutionary Theater”. In Playing Offstage. The Theater as a Presence or Factor in the Real World, ed. Sidney Homan, 41–57. Lanham: Lexington Books.
St. John, Graham. 2004. “Introduction”. In Rave Culture and Religion, ed. Graham St. John, 1–17. London: Routledge.
Stamenova, Mila. 2014. “Flash mobs: Social construction of public spaces as places for sociability & public discourse.” Master’s thesis. Utrecht University, The Netherlands.
Thompson, James. 2009. Performance Affects: Applied Theatre and the End of Effect. Basingstoke: Palgrave Macmillan.
Thrift, Nigel. 2004. “Intensities of feeling: Towards a spatial politics of affect.” Geografiska Annaler. Series B. Human Geography 86 (1): 57–78.
Thrift, Nigel. 2007. Non-Representational Theory: Space, Politics, Affect. London: Routledge.
Turner, Victor. 1969. The Ritual Process: Structure and Antistructure. Chicago: Aldin Publishing Company.
Sources
Oxford Learner’s Dictionary, 2020. “Flash mob.” https://www.oxfordlearnersdictionaries.com/definition/english/flashmob (pristupljeno 22. decembra 2020).
Brown, Steven. 2011. “Is Dance ‘The Next Wave’ in Cognitive Neuroscience?”
https://www.psychologytoday.com/us/blog/theguestroom/201111/ isdancethenextwaveincognitiveneuroscience (приступљено 12. децембра 2020).
Brown Steven & Lawrence Parsons. 2008. “The Neuroscience of Dance” https://in clusivedance.eu/wpcontent/uploads/2017/04/Theneuroscienceofdance. pdf. (pristupljeno 8. maja 2022).
Објављено
30.09.2022.
Како цитирати
NJARADI, Dunja.
Промишљање заједништва посредством плеса: историјско-теоријски пресек.
Гласник Етнографског института САНУ, [S.l.], v. 70, n. 2, p. 199–215, sep. 2022.
ISSN 2334-8259.
Доступно на:
<https://www.ei.sanu.ac.rs/index.php/gei/article/view/1030>.
Датум приступа: 18 jan. 2025
<https://www.ei.sanu.ac.rs/index.php/gei/article/view/1030>.
Датум приступа: 18 jan. 2025
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Секција
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