Gordana Blagojević Η μουσική μεταρρύθμιση του 1814: μια εμπειρική-αφηγηματολογική προσέγγιση [The musical reform of 1814: an empirical-narratological approach]

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  • John Plemmenos Author

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References

Anton, John Peter, ed. 1993. Upward Panic: The Autobiography of Eva PalmerSikelianos. Choreography and Dance Studies 4, Harwood Academic Publishers.

Brashier, Rachel Nicole. 2012. “Voice of Women in Byzantine Music Within the Greek Orthodox Churches in America.ˮ Master Thesis. Southern Illinois University Carbondale.

Morgan, Prys. 1983. “From a Death to a View: The Hunt for the Welsh Past in the Romantic Period”. In The Invention of Tradition, eds. E. J. Hobsbawm & T. O. Ranger, 43–100. Cambridge: Cambridge University Press.

Plemmenos, John 2010. Ottoman Minority Musics: The Case of 18th-Century GreekPhanariots. Berlin: Lambert Academic Publishing.

Romanou, Katy G. 1990. “A New Approach to the Work of Chrysanthos of Madytos: The New Method of Musical Notation in Greek Church and the Μέγα Θεωρητικόν της Μουσικής.” Studies in Eastern Chant 5: 89–100.

Romanou, Katy G. 2010. Great Theory of Music by Chrysanthos of Madytos translated by Katy Romanou. New Rochelle – New York: Axion Estin Foundation.

Valiavitcharska, Vessela. 2013. Rhetoric and Rhythm in Byzantium: The Sound of Persuasion. Cambridge University Press.

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Published

2020-12-15

How to Cite

Plemmenos, J. (2020). Gordana Blagojević Η μουσική μεταρρύθμιση του 1814: μια εμπειρική-αφηγηματολογική προσέγγιση [The musical reform of 1814: an empirical-narratological approach]. Bulletin of the Institute of Ethnography SASA, 68(3), 779–783. https://www.ei.sanu.ac.rs/index.php/gei/article/view/315

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