Одраз као роба: кратка етно(историо)графија викторијанских огледала
DOI: 10.2298/GEI1601121T; UDC 391.984(410)"1838/1901"
Сажетак
Током деветнаестог века огледала бивају масовно произведена и постају јефтина и свеприсутна у западним престоницама. Текст разматра начине на које су огледала, као фетишизована роба, рефлектовала деветнаестовековно потрошачко друштво и променила аутоперцепцију посматрача. Основни аргумент је да се, услед непрестаног сусретања са сопственим одразом, у посматрачу десила промена на нивоу жеље: деветнаестовековни посматрач почео је погрешно да поистовећује целовитост свог одраза са истином о целовитости свога сопства. Помоћу ове кратке етно(историо)графије викторијанских огледала, текст дискутује деветнаестовековну визуелну културу спектакла и жеље.
Кључне речи: огледало, роба, потрошња, субјекат жеље, деветнаести век.
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Dickens, Charles. 1852. “Gin Shops”. In Sketches by Boz, Illustrative of Every-Day
Life and Every-Day People, ed. Charles Dickens, 100-130. Philadelphia:
Getz, Buck & CO.
Fitzball, Edward. 1859. Thirty Five Years of a Dramatic Author’s Life, vol 1. London: T. C. Newby.
Foote, Horace. 1824. A Companion to the Theatres and Manual of the British Drama. London: William Marsh & Alfred Miller.
Foucault, Michel. 1984. “Of Other Spaces.” Architecture /Mouvement/ Continuité
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Foucault, Michel. 1989. The Order of Things: An Archaeology of the Human Sciences. Trans. Tavistock/Routledge. London and New York: Routledge.
Freud, Sigmund. 1919. “The Uncanny.” In The Standard Edition of Complete Psychological Works of Sigmund Freud, Vol. XVII. (1917-1919): An Infantile
Neurosis and Other Works, 217-256. London: The Hogarth Press and the
Institute of Psychoanalysis.
James, Henry. 1981. The Turn of the Screw. New York: Courier Dover Publications.
Kaiser, Matthew. 2012. The World in Play: Portraits of a Victorian Concept. Stanford: Stanford University Press.
Kenrick, Thomas. 1818. British Stage, and Literary Cabinet 2: 136.
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Melchior-Bonnet, Sabine. 2001. The Mirror: A History. Trans. Katharine H. Jewett.
New York and London: Routledge.
Moody, Jane. 2000. Illegitimate Theatre in London, 1770-1840. Cambridge: Cambridge University Press.
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Publishers.
Planché, James Robinson. 1872. Recollections and Reflections: A Professional Autobiography, vol. 1. London: Sampson Low.
Richardson, Thomas. 1991. The Commodity Culture of Victorian England: Advertising and Spectacle, 1851-1914. London and New York: Verso.
Rossetti, Christina. 1979. “A Royal Princes.” In The Complete Poems of Christina
Rossetti, ed. R. W. Crump, 149-152. Baton Rouge and London: Louisiana
State University Press.
Santore, Cathy. 1997. “The Tools of Venus.” Renaissance Studies 11/3: 179-207.
Schwarz, Heinrich. 1952. “The Mirror in Art.” The Art Quarterly XV: 97-118.
Tallis, Raymond. 1988. Not Saussure: A Critique of Post-Saussurean Literary Theory. London: Macmillan Press.
Објављено
01.07.2016.
Како цитирати
TEODORSKI (GERMANY), Marko.
Одраз као роба: кратка етно(историо)графија викторијанских огледала.
Гласник Етнографског института САНУ, [S.l.], v. 64, n. 1, p. 121-132, july 2016.
ISSN 2334-8259.
Доступно на:
<https://www.ei.sanu.ac.rs/index.php/gei/article/view/154>.
Датум приступа: 24 apr. 2024
<https://www.ei.sanu.ac.rs/index.php/gei/article/view/154>.
Датум приступа: 24 apr. 2024
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